Yesterday, I ran the first part of a two part interview with comics journalist Joe Sacco (Palestine) as conducted by CMS Masters student Huma Yosef (herself a former professional journalist from Pakistan). Today, I continue this interview. It occurred to me as I was putting this together that it represents a fascinating contrast to the interview I ran a week or so back with comics Creator Rob Walton (Ragmop). Both artists are very interested in using comics to explore political issues but they approach these issues from very different vantage points: Sacco creates realist comics that document the everyday lives of people from war-torn countries while Walton uses fantasy and comedy to encourage us to reflect on the American political process. Between them, they suggest some of the ways that comics may function as civic media.
I now turn you over to Huma for the rest of her interview.
In what ways is your method of working akin to that of a journalist?
I conduct lots of rigorous, sit-down interviews, one after the other. Lots of things happen that aren’t part of the interview process, and I’m often in situations where I can’t take notes. In those instances, I duck behind a wall and frantically take as many notes as I can. In the evenings, I translate all my notes into a journal.
I also take photographs whenever I can. I’m currently doing a book about the Gaza Strip for which, after interviewing someone, I’d take his or her photograph. If someone refused to have a picture taken, then I’d try to quickly draw an image of the person in the margin of my notebook. Sometimes, there are things I realize I need to draw only after I start working. In that case, I visually research places later on. When I was working on Palestine, I wasn’t aware of a lot of things and had to draw a lot from memory. With Safe Area Gorazde, my process has evolved. Now, if anything, I take too many pictures.
On the job in Palestine, I also started following stories as they unfolded. Like any reporter who has a little freedom, you follow your nose and try to cover the stories that you don’t think anyone else will tell. For example, Gorazde opened up while I was there – I didn’t know I would write about it until I arrived in Bosnia. Once I identified my subject, I conducted preliminary interviews about what happened, then broke it down into component parts. No doubt, the second time around was a more methodical process as I was a little more self-conscious about what I was doing.