Submitted by
Henry on April 13, 2007 - 10:36pm
I have been pleasantly surprised by how much interest has been generated by last week's announcement in the blog that Comparative Media Studies and the MIT Communications Forum was hosting a special event focused on Evangelicals and the media. So, I wanted to be sure to let you know that the webcast version of the event is now available.
Some people have asked why our program would help to host such an event. There are a number of reasons why media scholars should care more about the use of media by this particular population:
Submitted by
Henry on April 13, 2007 - 10:36pm
I have been pleasantly surprised by how much interest has been generated by last week's announcement in the blog that Comparative Media Studies and the MIT Communications Forum was hosting a special event focused on Evangelicals and the media. So, I wanted to be sure to let you know that the webcast version of the event is now available.
Some people have asked why our program would help to host such an event. There are a number of reasons why media scholars should care more about the use of media by this particular population:
Submitted by
Henry on March 13, 2007 - 1:00am
After having written so much about Second Life during my recent exchanges with Beth Coleman and Clay Shirky, I swore to myself that I would not write about this virtual world for a bit and let reality catch up with some of my theories. No such luck. I recently heard from digital theorist
Trebor Scholtz suggesting that there had been some interesting responses to the Shirkey-Coleman-Jenkins exchanges over at the iDC (Institute for Distributed Creativity) mailing list. Scholtz asked politely if I might weigh in on some of their arguments (always a dangerous thing since I am not on the list and not fully following their conversations) and clarify my position. I asked if I could cross-post my response here on the blog.
The question which Scholtz posed to me was deceptively simple:
Submitted by
Henry on March 13, 2007 - 1:00am
After having written so much about Second Life during my recent exchanges with Beth Coleman and Clay Shirky, I swore to myself that I would not write about this virtual world for a bit and let reality catch up with some of my theories. No such luck. I recently heard from digital theorist
Trebor Scholtz suggesting that there had been some interesting responses to the Shirkey-Coleman-Jenkins exchanges over at the iDC (Institute for Distributed Creativity) mailing list. Scholtz asked politely if I might weigh in on some of their arguments (always a dangerous thing since I am not on the list and not fully following their conversations) and clarify my position. I asked if I could cross-post my response here on the blog.
The question which Scholtz posed to me was deceptively simple:
Submitted by
Henry on March 5, 2007 - 6:28pm
The following is my attempt to provide a written record of the remarks that I presented at the Beyond Broadcast conference that we hosted at MIT the other week. I would strongly recommend watching the webcast version of the talk to achieve the full effect since the talk depended very heavily on the visuals and I am not going to be able to reproduce very many of them here. You might also want to check out the interview I did for Thoughtcast in advance of the event. This post is intended, however, to provide links to all of the examples I presented during the talk.
Getting Too Close to Reality
Convergence Culture: Where Old and New Media Collide, my recent book, opens with the curious story of Bert and Bin Laden:
Submitted by
Henry on March 5, 2007 - 6:28pm
The following is my attempt to provide a written record of the remarks that I presented at the Beyond Broadcast conference that we hosted at MIT the other week. I would strongly recommend watching the webcast version of the talk to achieve the full effect since the talk depended very heavily on the visuals and I am not going to be able to reproduce very many of them here. You might also want to check out the interview I did for Thoughtcast in advance of the event. This post is intended, however, to provide links to all of the examples I presented during the talk.
Getting Too Close to Reality
Convergence Culture: Where Old and New Media Collide, my recent book, opens with the curious story of Bert and Bin Laden:
Submitted by
Henry on February 19, 2007 - 12:00am
Attend the tale of plucky young independent filmmakers Susan Buice and Arin Crumley who have tapped every device available to them in the era of participatory culture to get their feature film, Four Eyed Monsters in front of an audience.
Rather than waiting for the film to come out on DVD to offer director's extras, Buice and Crumley shot a compelling series of videos about the film's production and released them via iTunes, MySpace, and YouTube, where as of August 2006 they had been downloaded more than 600,000 times. As audience interest in the property grew, the team used their own blog/website to solicit support from their fans, promising that they would insure that the film got shown in any city where there were more than 150 requests. Indeed, they were able to use the online interest expressed in the film to court local exhibitors and convince them that there was an audience for Four Eyed Monsters in their community.
As Crumley explained in an interview with Indiewire:
Submitted by
Henry on February 19, 2007 - 12:00am
Attend the tale of plucky young independent filmmakers Susan Buice and Arin Crumley who have tapped every device available to them in the era of participatory culture to get their feature film, Four Eyed Monsters in front of an audience.
Rather than waiting for the film to come out on DVD to offer director's extras, Buice and Crumley shot a compelling series of videos about the film's production and released them via iTunes, MySpace, and YouTube, where as of August 2006 they had been downloaded more than 600,000 times. As audience interest in the property grew, the team used their own blog/website to solicit support from their fans, promising that they would insure that the film got shown in any city where there were more than 150 requests. Indeed, they were able to use the online interest expressed in the film to court local exhibitors and convince them that there was an audience for Four Eyed Monsters in their community.
As Crumley explained in an interview with Indiewire:
Submitted by
Henry on January 8, 2007 - 12:00am
As I mention the other day, I am currently posting this blog from Singapore. I was invited here as a guest of the Singapore Press Holdings Foundation which hosted a public lecture at the National Library's Drama Center on Friday night which was attended by some of the country's political, economic, and intellectual leaders and was designed to focus public debate around the issue of Media in Transition. The talk has received enormous interest here -- I think I have been interviewed at this point by pretty much all of the English language media in Singapore. (I am starting to feel like Noam Chomsky!) The first interview came on my first morning of the country and went up on line almost immediately. It was with AsiaOne and resulted in this story.
Submitted by
Henry on January 8, 2007 - 12:00am
As I mention the other day, I am currently posting this blog from Singapore. I was invited here as a guest of the Singapore Press Holdings Foundation which hosted a public lecture at the National Library's Drama Center on Friday night which was attended by some of the country's political, economic, and intellectual leaders and was designed to focus public debate around the issue of Media in Transition. The talk has received enormous interest here -- I think I have been interviewed at this point by pretty much all of the English language media in Singapore. (I am starting to feel like Noam Chomsky!) The first interview came on my first morning of the country and went up on line almost immediately. It was with AsiaOne and resulted in this story.